Tuesday, January 24, 2012

Theatre--Performance (Musical Theatre)


Tickets are now available for IPAL’s Chicago – the Musical. Performances are Thursday, Friday, Saturday, and Sunday (Matinee) March 9 thru March 25.

You can purchase them in New Iberia at Delaune’s Pharmacy, Paul’s Flower Shoppe, or Accentrics on Main Street. If you are out of town you may contact Robin Bull at  519-4158 or 364-6114 (leave name and phone number) or by emailing her robinbull@hotmail.com

Our Season Ticket holders already have their tickets, and IPAL Members have already received notice of the availability.  Please consider joining us in ourMembership Drive in June for our 2012-2013. There is a great Season planned and we need your support so we can maintain and improve our facility and continue outstanding presentations!      

Sunday, January 22, 2012

Theatre--Performance (Rescheduling)

A new show night has been added to the AAPA production of RABBIT HOLE and all tickets for the show scheduled for Friday January 20th, 2012 will be honored on Saturday, January 28, 2012. Please call Nathanael Trahan with any questions.

Theatre--Performance (Musical Theatre)


Lafayette High School puts on its 41st Annual Musical:
ONCE UPON A MATTRESS!
Originated by the Great Carol Burnett, Lafayette High returns with its annual fun, following last year's INTO THE WOODS.

For ticket information, contact Lafayette High School or any cast member.  The performances begin February 2nd through the first week of February.

Don't be SHY and we hope to see you there!

Theatre--Auditions


Acting Audition for Kaleidoscope by Ray Bradbury
Show will rehearse through April and be part of this year's Festival International

Male or Female
Cold reads from the script--no dramatic monologue is required, but would be welcome

Location: Theatre 810. 810 Jefferson St, Lafayette, LA (next door to Carpe Diem)
Time: 3:30pm (e-mail gabriel.nathan@gmail.com if you want to attend late)
Date: Sunday, January 29, 2012
Director: Nathan Gabriel (nathangabrieltheatre.com - visit website to view photos of show be performed in Philadelphia)
Show description: Celebrated sci-fi author Ray Bradbury's Kaleidoscope is the story of astronauts who are thrown from their ship. As they fall through the vastness of space, they talk to one another through their headset radios. Each one deals with the certainty of death in his own unique way and learns what secrets lie in the hearts of those they thought they knew best. This production is a radio-theatre hybrid, adapted for the stage from an old-time radio scripts.

Wednesday, January 18, 2012

Theatre--Submission (AAPA)

I have a policy of never reviewing the work of other Acadiana theatre artists and this is not really a review.  It is, however, a recommendation.  I recommend Nathanael Trahan's production of RABBIT HOLE to every theatre artist in Acadiana.  The setting is an actual house furnished just as if the family really lived in it.  You will follow the actors from one room to the next almost as if either they--or we--are ghosts.  The concentration of the actors is incredible as they negotiate their way around and among the audience while doing business and speaking dialogue as smoothly as if they were truly alone in the house.  The use of the setting is a great reminder that theatre means "to see" and not "a place with seats and a stage and stuff."  Any space can be a stage with some imagination and commitment as RABBIT HOLE proves.  This show is a great demonstration that where there is a will, there is a way.  Kudos to all!


It's worth the trip out to Youngsville to see this production--assuming, of course, that you have already seen LIVES OF THE SAINTS at Theatre 810!
---Walter Brown

Theatre--Review (AAPA)


It happens infrequently, but sometimes playwrights leave instructions with their published plays, an act that can seem either the ultimate in hubris or a necessary guide to directors and casts. With Rabbit Hole, a 2006 Pulitzer Prize-winning play by David Lindsay-Abaire, those instructions definitely fall in the latter category. He recognized that death as the center of play presents a particular challenge, a delicate balance between a thoughtful portrait of death and a maudlin Lifetime TV-movie of the week. On the last page of his script, Lindsay-Abaire provides “a little guidance” to all those who perform his play: avoid the tears; it is crucial advice that director Nathaneal Trahan chose to ignore. Make no mistake, the resulting APAA production is good, but it could have been outstanding.

The elephant in the room in this play is not hidden at all: Becca and Howie, a suburban couple, have lost their only child Danny eight months previously, and the family is still recovering from that loss. Such a death seems all the more tragic than, let’s say, the death of an elderly person who has lived a full life, as the cliché goes. Any death, however, rips a gaping hole in the universe of the lives of the remaining people, and the more intimate the relationship, the more devastating the abyss. Elisabeth Kübler-Ross has written the seminal work On Death and Dying, and retired UL Professor Dr. Sarah Brabant composed Mending the Torn Fabric: For Those Who Grieve and Those Who Want to Help Them, both extremely insightful books on the topic.

Dramas about death are not uncommon; Wit and Tuesdays with Morrie have characters who are dying on stage, but Rabbit Hole deals with the aftermath, with how people cope. Each of the play’s five characters approach the grieving process in different ways. Howie (Michael Cato) does not want to forget his son, but does wish to move on, since he sees his marriage as trapped in limbo. Nat (Jody L. Powell), Becca’s sometimes-coarse mother, sees her daughter desperately ensnared by Danny’s death and tries to push her daughter toward healing. Izzy (Amanda McBride), Becca’s younger, impulsive, self-destructive sister, finds herself an after-thought in this family, a position she frequently holds. She will soon have a child of her own, a sore spot in the family dynamic given Danny’s absence, and she resents that something good in her life is twisted as an attack upon her older, straight-laced sister. The only non-family member is Jason (André Trahan), the unfortunate teen who accidentally hits Danny with his car as the young boy was chasing his dog into the street. He, too, must grapple with the death that he caused, no matter how inadvertent.

Becca’s character, however, is the play’s pivotal focus, and Lindsay-Abaire has made it eminently clear who Becca is: a fiercely in-control woman who has steeled herself against this horrific heartbreak by shutting down emotionally. His play presents an unusual dynamic in that all stereotypes are thrown out: Howie is the man in touch with his emotions, and it is Becca who has locked them away because they understandably cause too much pain. Having lost a son of her own, Nat can empathize with her daughter’s plight. Nat recognizes that Becca is not doing herself any good by shutting out the world, and she even arranges an intervention of sorts to jumpstart her daughter’s emotional life. Becca is the play’s eye-of-the-storm in the middle of a hurricane, whilst all around her are learning to deal with death’s never-ending presence, and the author points that out in his instructive letter. That’s what makes Monique Arabie’s performance as Becca so out of place with the author’s intent. Ms. Arabie is affecting, please understand that, but she is on the verge of tears from the moment she enters the scene, and stays on that note for the entire two hours. It gives her nowhere to go emotionally, and it completely undermines her emotional breakdown in the supermarket where she assaults a mother who is callously disregarding the screaming wails of an unhappy child who wants fruit rollups. It makes a much more powerful impact, as the author intended, when this tightly controlled Becca loses it and lashes out at the world in a manner more appropriate to her ne’er-do-well sister Izzy. Why Trahan as director and Arabie as actress chose this openly emotional route puzzles me, and it doesn’t help that the role has been played by Tony Award-winning Cynthia Nixon and Oscar-nominated Nicole Kidman. Actors sometimes try to imitate the movie actors in famous plays—think Katharine Hepburn in The Lion In Winter—but this is one case where such a study would have provided valuable insight.

Before the reader thinks I did not like this play, perish the thought. The actors did a good job of dancing around this indelicate topic. Michael Cato is particularly good at showing his frustration with his stalled marriage, and it’s ironic that he, who has tried to move on, can’t see Jason, the teenager who killed his son, but his wife Becca is ready and willing to converse with him. Jody L. Powell brings a pro’s touch to the acerbic Nat, and I was inwardly giggling at the inappropriateness of Nat’s lengthy diatribe on the Kennedy family curse, when all else seem to realize the topic of death is verboten. Ms. Powell understands that humor is crucial to both this play and to dealing with death, and her speech in Danny’s room about how people want to help is priceless. Though he has little stage time, André Trahan nicely underplays the nervous youth who has to mix the awkwardness of growing up with the confusing dynamic of ending someone’s life. I particularly appreciated Amanda McBride, whose Izzy was a consistent thorn in everyone’s side. As the invisible younger sister, Izzy wants attention, and McBride never stooped to caricature; the audience genuinely feels for her when her birthday party erupts into a family fight over Becca’s inability to cope. And for all that I’ve harped over the way Becca should be played, Monique Arabie is a talented actress and I look forward to more of her work.

I must marvel at Nathaneal Trahan, however, for choosing to perform this play in a home. Ben Brantley, the New York Times theatre critic whose reviews I read frequently, often sees innovative and modern turns on this age-old art, and now I understand some of what he sees. To follow the characters from room to room did give the play an extra intimacy, and watching Michael Cato view a video of his son was heart-wrenching (Wherever Trahan found that charismatic young boy for Danny in the video, I’ll never know.) Having a play in a house presents unique challenges, however, as in how to end a scene, where in a theatre, the lights’ dimming would provide such a cue. Providing music worked to end each scene, but the play’s final scene needs a few more seconds. Becca and Howie are sitting at the dining room table, finally talking about the critical first steps they have to take. The silent gaps between their lines are as important as the lines themselves, and when they finally grab each other’s hands, it’s not so much a reaffirmation that everything will be all right as it is an acknowledgement that this marriage may not work at all. The other three actors off-stage—well, in this case, in another room—need to give Becca and Howie more time to hold those precious digits, for the night I went, they came out too soon, and the scene’s impact was diminished.

There are three more performances, January 20th, 21st, and 22nd, all at 7:30 pm, and tickets are available by calling 288-6329. There is also a Facebook page that includes clear directions to the home. Bravo to the director and cast for tackling this most difficult play. As one who has experienced death, I know too well the desolation it leaves in its wake. I just wish they had listened a little more to the author’s “little guidance.”
 ---Vincent P. Barras

Theatre--Performance


Sunday, January 15, 2012

Dance--Auditions



DANCE CALL: Audition Now!










Audition for the dance production, Getting out of Limbo.
Chosen to perform in residency at the state-of-the-art James D. Moncus Theater at the Acadiana Center for the Arts.

Tech week: May 21-24    Shows: May 25, 26, 27.

Featuring modern/contemporary choreography by Leah Twilley.
Getting out of Limbo features eleven life lessons, each represented by a Radiohead song. The aim of Getting out of Limbo is to generate the same unity that a live music concert provides its audience. This performance will give everyone a chance to eliminate the glitz and glamour of society and evaluate the value of people.



Date: Friday, January 20, 2012
Time: 6:00-7:30
Location: The Ballet Studio
108 W. Milton Ave Lafayette, LA 70508
*Must be 18 or older*



***Contact choreographer Leah Twilley with questions: lat6161@gmail.com***

Theatre--Performance

The ball has dropped, the new year is here, and the 2012 season at Opelousas Little Theatre is underway.  Our first show of the season is always a ShowcaseShowcase is a variety talent show that we at OLT put on to draw local talents from our community as to let them present their specialities on our humble stage.  Another prupose is to call attention to our little theatre and to promote the local arts and the talent of the townsfolk.  Also, it is a chance to for the directors of the season to pursue castmembers for the upcoming schedule of shows.  With this, my seventh Showcase, I can honestly say we have a massively talented group of individuals.  Truth be told, our cast is large and most diverse.  This year promises to produce one of the most fast-paced and wildly entertaing Showcases in recent memory.  On the bill we have actors, dancers, bellydancers, singers, and all are amazing talents with tons of heart and dedication.  Young and old, we
form one big dysfunctional family of hilarity and drama that the OLT may not have yet seen.  So, if you are a lover of good music, hard laughing, and a little serious drama, you must not miss this chance to see the best that our local community has to offer.  Rehearsals are going great and the cast is working hard. The set is fully completed and the theatre is lonesome for large audiences.  On a personal note, I'd like to say thank you the OLT board for this opportunity to co-direct Showcase with two other great talents this year. Andy Doucet and Casey Harmon are both seasoned actors and veterans of the OLT and it's been a blast working with them so far and the show hasn't even started yet.  Tickets are available at Sebastion Dupre Fine Jewelery, 337-948-4367.  The show will run Jan.19, 20, 21, 26, 27, 28 at 7pm.  Sunday matinees will run Jan. 22 and 29 at 2pm.  For more information feel free to contact me (Walter Duncan McBride) at 337-351-3822

Dance--Performance


Everyone knows the story of Cinderella as portrayed in books and movies, but no medium quite captures the magic of this inspiring rags-to-riches tale as classical ballet. Experience the enchantment of Lafayette Ballet Theatre’s Cinderella at 7 p.m., Saturday, March 31, 2012, in the Heymann Performing Arts Center.

LBT promises an awe-inspiring evening appropriate for all ages. Principal guest artists from the Pacific Northwest Ballet and the Cincinnati Ballet will join the local cast in presenting the three-act, full-length classical production, set to Sergei Prokofiev’s celebrated score. Tickets – great for Valentine’s Day gifts – are available now through the Heymann Center Box Office and all Ticketmaster outlets.

Tickets are priced as follows: front orchestra, $40; back orchestra, $35; first balcony, $30; back orchestra, $20. Additional Ticketmaster fees may apply. Special group rates are available. Students are eligible for a 50-percent discount on balcony level tickets anytime, or they may opt for the “student rush” special: half off on all seats still available 30 minutes prior to curtain. (Students must present a current school ID at the Heymann Center Box Office to receive the “student rush” discount.) Tickets are available at the Heymann Center Box Office, Monday through Friday, 9 a.m. to 4 p.m.; via phone, 337-291-5555; and online at www.ticketmaster.com.

Lafayette Ballet Theatre is a nonprofit organization offering classical ballet instruction, dance study scholarships, educational programs and quality stage performances to the Acadiana community. LBT’s production of Cinderella is supported by a grant from the Louisiana Division of the Arts, Office of Cultural Development, Department of Culture, Recreation and Tourism in cooperation with the Louisiana State Arts Council as administered by the Acadiana Center for the Arts.

For more information on LBT and Cinderella, call -337-262-0444 or visit www.lafayettelallettheatre.org.

Theatre--Auditions (Musical Theatre)

The Acadia Players present the timeless enchantment of a magical fairy tale is reborn with the Rodgers & Hammerstein hallmarks of originality, charm and elegance. Originally presented on television in 1957 starring Julie Andrews, Rodgers & Hammerstein'sCINDERELLA was the most widely viewed program in the history of the medium. Its recreation in 1965 starring Lesley Ann Warren was no less successful in transporting a new generation to the miraculous kingdom of dreams-come-true, and so was a second remake in 1997, which starred Brandy as Cinderella and Whitney Houston as her Fairy Godmother. As adapted for the stage, with great warmth and more than a touch of hilarity, the hearts of children and adults alike still soar when the slipper fits. This Enchanted Edition is based on the 1997 teleplay.

Auditions for The Acadia Players Production of Rodgers & Hammerstein’s CINDERELLA will be held at The Grand Opera House of the South in Crowley,LA, January 29,2012, at 1p.m. January 31, 2012 and February 1,2012 at 6 . Casting will include approximately 7 women, 4 men, 12 extras ages 12 and up. Children must be age 12 as of February 1, 2012.

 Those wishing to audition must arrive 30 minutes ahead of time complete the required paperwork and be prepared to take a headshot. Please come prepared with a song of choice acapella, with recording(karaoke), or sheet music – 16 measures minimum.

Performances will be held at The Grand Opera House of the South June 14-17, 2012.

Rehearsal schedule will be given at auditions.

For audition and performance information, contact Logan Frederick 337-523-5007 or at lgfred2011@yahoo.com

Sunday, January 8, 2012

Theatre--Performance (Musical Theatre)




           Row 1 (left to right) Seth Ransonet, Ashlyn Halpin, Tiana Wiltz, Thomas Luke, Gabby Landry, Nicholas Harrison, Beaux Fisher
           Row 2: Noah Delatte, Taylor Luke, Ryley doucet, Leila DeSlatte,
            Row 3: Mia Commeaux, Adele Hebert

 Seth Ransonet (Samuel, a Pirate of Penzance)

Friday, January 6, 2012

Theatre--Performances




Rabbit Hole will be performed at 1300 Fortune Rd,. Youngsville January 13th - Jan 15th (Curtain @7:30p) and January 20th - Jan 22nd (Curtain @7:30p)

Join APAA for their very first production! Come be a part of this Innovative play. Follow this family through their house and experience their story as if it were your own. This Pulitzer Prize winning play has not only had a run on Broadway, but has touched the hearts of many.

Tickets are $10 (General Admission). Call for advanced tickets (337) 288-6329

Seats are LIMITED. Only twenty people will be admitted a night. Pre-ordering is available; unclaimed tickets will be resold 15 mins prior to curtain.

Cast List:
Becca- Monique Arabie
Howie- Michael Cato
Izzy- Amanda McBride
Nat- Jody L. Powell

Crew List:
Director- Nathanael Trahan
Producer- Jennifer Hebert
For additional information, contact: Nathanael Trahan, (337) 288-6329 or nathanaeltrahan@aol.com, http://www.facebook.com/events/277993992236708/
Inovative Play Performed in House

Thursday, January 5, 2012

Theatre--Article

Theatre 810, Acting Unlimited , Inc (AUI) and LIVES OF THE SAINTS (AUI's soon to open show) were the focus of a story on Tuesday in the Baton Rouge Advocate.

Theatre--Auditions (Musical Theatre)

CINDERELLA
Adapted for Stage by Tom Briggs
Book and Lyrics by Oscar Hammerstein II
Music by Richard Rodgers/
From the Teleplay by Robert L. Freedman

OPEN AUDITION
January 29, 2012 at 1p.m. and January 30, 31, 2012 at 6p.m.
The Grand Opera House of the South
505 North Parkerson Ave., Crowley, LA

 The Acadia Players present the timeless enchantment of a magical fairy tale is reborn with the Rodgers & Hammerstein hallmarks of originality, charm and elegance. Originally presented on television in 1957 starring Julie Andrews, Rodgers & Hammerstein's CINDERELLA was the most widely viewed program in the history of the medium. Its recreation in 1965 starring Lesley Ann Warren was no less successful in transporting a new generation to the miraculous kingdom of dreams-come-true, and so was a second remake in 1997, which starred Brandy as Cinderella and Whitney Houston as her Fairy Godmother. As adapted for the stage, with great warmth and more than a touch of hilarity, the hearts of children and adults alike still soar when the slipper fits. This Enchanted Edition is based on the 1997 teleplay.


Auditions for The Acadia Players Production of Rodgers & Hammerstein’s CINDERELLA will be held at The Grand Opera House of the South in Crowley,LA, January 29,2012 from 1p.m. To 3:30p.m. and January 30 & 31, 2012 from 6 to 8:30 pm. Casting will include approximately 7 women, 4 men, 12 extras ages 12 and up. Children must be age 12 as of February 1, 2012.


 Those wishing to audition must arrive by 5:30 pm to complete the required paperwork and be prepared to take a headshot. Please come prepared with a song of choice acapella, with recording(karaoke), or sheet music – 16 measures minimum.


Performances will be held at The Grand Opera House of the South June 14-17, 2012.

Rehearsal schedule will be given at auditions.

For audition and performance information, contact Logan Frederick 337-523-5007 or at lgfred2011@yahoo.com

Wednesday, January 4, 2012

Theatre--Auditions

V-day Lafayette, a UL chapter organization, is proud to host a production of the VAGINA MONOLOGUES written by Eve Ensler and directed by Kristina Marshall. Open auditions will be held on January 7th and 8th from 1-3:30 pm at Theatre 810. Please have a prepared 1 to 2 minute dramatic/comedic monologue or be prepared to read from a script given
by the director. Everyone is welcome to join! Volunteer for a local cause by supporting your sisters! For more information contact Vdaylafayette@gmail.com.

Theatre--Performance

AUI will kick off Theatre 810's 2012 performance calendar with LIVES OF THE SAINTS, an evening of riotously funny one-act comedies by one of the contemporary theatre’s brightest comic playwrights, David Ives.

LIVES OF THE SAINTS is an evening of seven quirky, funny and wildly imaginative one-acts by Ives. In SAINTS, Ives’ comic imagination takes audiences to ancient Mesopotamia for the construction of the Tower of Babel, to a wee British vicarage fora twisted “Masterpiece Theatre” murder mystery, to a quirky souvenir shop where a wildly exotic love blooms, and into a TV set where a couple finds themselves lost in a blur of channels. And that’s just half the evening.

Local audiences have experienced Ives’ work in his other one-act evening ALL IN THE TIMING and in his revisionist take on Don Juan, DON JUAN IN CHICAGO. In LIVES OF THE SAINTS, audiences can expect a playful evening of broad physical comedy, whip-smart jokes and ceaselessly imaginative riffs on contemporary culture. There’s something for everyone in LIVES OF THE SAINTS.

LIVES OF THE SAINTS is directed by Cara Hayden, who co-directed AUI’s summer production of A MIDSUMMER NIGHT’S DREAM. The production features performances by Erin Segura, Elaine Kibodeaux, Gerard Ducharme, John Snyder, Martha Diaz, Vincent P. Barras, Cindy Hebert, Phillip Spear, Joseph Diaz, Cody Dunstan, Kaan Dere, Nancy Dere, Anne Dronet and Kathy Arceneaux.

The show will open on Thursday, January 12 at 7:30 and run the following days and times:
Friday, January 13th (dinner theatre) at 7:30
Saturday, January 14th at 8:00 (after Artwalk)
Sunday, January 15th at 3:00
Thursday, January 19th at 7:30
Friday, January 20th at 7:30
Saturday, January 21st at 7:30
Sunday, January 22nd at 3:00 (Dessert and a Play)

All tickets are $10.00. Reservations can be made by telephone at (337) 484-0172 or by email at actingunlimitedinc@gmail.com. Online ticket are available here:
http://lives-autohome.eventbrite.com/
Online purchases for the Dinner Theatre can be made here:
http://livesdinnertheatre.eventbrite.com/
Tickets for the dinner theatre can also be purchased at Bonnie Bell's Bistro.

Online tickets for the Dessert and a Play can be purchased here:
http://www.eventbrite.com/event/2703316693/efblike 

Tickets for the Dessert and a Play (only) can be purchased at Carpe Diem Gelato.

For more information, call (337) 484-0172.

NOTE: This show contains adult themes and language. Parental guidance is recommended.

Theatre--Auditions

Auditions for Steel Magnolias by Robert Harling will be held at the Abbey Players Theatre on Thursday, Jan. 5th from 7 to 9pm, and again on Saturday, Jan. 7th from 2 to 4pm.  The play is scheduled to open in February and will be directed by Dianne Moss.  There are roles for 6 women ranging in ages from late teens to the 60's.  For more information, please call Dianne at (337) 523-9995.

Theatre--Performance (Musical Theatre)

The UL-Lafayette Opera Theater has announced the cast and production team for its upcoming spring production of GRAND PRE.


Grand Pre´ Cast
Helene LeBlanc – Alex Hollerman
Louis LeBlanc – Jonah Slason
Cecile LeBlanc – Jenee Luquette
Isabelle LeBlanc – Sadie Bekurs

Alice Johnson – Tessa Espinosa
Thom Johnson – Garrett Guidry
Allain Johnson – Jay Broussard

Major Lawrence – Holden Greene
Colonel Winslow – Aren Chaisson

Marie Barillot – Shelby Runyan

Grand Pré production staff
Director – Shawn Roy
Musical Director/Orchestration – David Boudreaux
Set Designer – Duncan Thistlethwaite
Costume Designer – Gina Baronne
Lighting Designer/Tech Director – Ken Harrelson
Stage Manager – Miguel Ochoa

Music by Cody Daigle and Roy Bertucci
Lyrics by Cody Daigle
Book by Cody Daigle

Performance Dates – March 8 – 11, 2012
Ducrest-Gilfry Auditorium
Call 482-6012 for more information
Tickets available  at the door only



Theatre--Auditions

The Evangeline Players will hold open auditions for YOU, THE JURY on Saturday and Sunday, January 21 and 22 from 2-4 PM and on Monday, January 23 from 6:30 to 8:30 PM.  Performances in St. Martinville March 16-25 under the direction of Bruce Coen.  All roles are open and the director is looking for men and women to play roles ranging from early 20's to 70's.

Auditions will be cold reading from the script.

Auditions will be held upstairs at the Duchamp Opera House located at 200 S. Main St. (corner of Hwy. 39 and Hwy. 96). For more information, call (337) 394-6604.

Editor's Note

The Blog is back.

Theatre--Auditions

While final preparations are ongoing for Acting Unlimited's LIVES OF THE SAINTS, Kimberly Johnson-Nagle will be holding open auditions for her upcoming play, A WOMAN'S JOURNEY.  The play is a series of 3 one-act shows.

She needs 4 to 5 females etween the ages of 18 to 35+ of different ethnic groups, and three males of approximately the same age range.  One male must be black and 18 to 35.  The others must be white, one between the ages of 18 to 25 and the other over 35.  All are welcome, but by the time of the auditions some roles may be cast.

The show will feature COLORLESS, which won "Best Play" in the 2007 Hub City Theatre Festival.  Show dates are February 3rd, 4th, 5th (matinee), 10th, 11th and 12th (matinee).

Audition dates are this Saturday and Sunday, January 7th and 8th, from 4-6:30 pm. 

For more information, email kimberlynagle@ymail.com.